{"id":6287,"date":"2024-06-12T08:12:47","date_gmt":"2024-06-12T06:12:47","guid":{"rendered":"https:\/\/lavoirie.ch\/event\/hkb-diploma-festival\/"},"modified":"2024-06-17T08:21:52","modified_gmt":"2024-06-17T06:21:52","slug":"hkb-diploma-festival","status":"publish","type":"event","link":"https:\/\/lavoirie.ch\/de\/event\/hkb-diploma-festival\/","title":{"rendered":"HKB Diploma Festival"},"content":{"rendered":"\t\t
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HKB Diploma Festival<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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20.06.2024<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Performance<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00a0<\/p>\n

20.-26. Juni<\/strong><\/p>\n

Der Master Contemporary Arts Practice der Hochschule der K\u00fcnste Bern freut sich, mit Scattered, but there<\/em> die 2024er Ausgabe des Diplomfestivals zu pr\u00e4sentieren. <\/p>\n

In der Voirie werden 3 Studierende ihre Diplomprojekte pr\u00e4sentieren:<\/p>\n

Andrea Raemy:<\/strong> Broad Shoulders | 2024 | Sculptures
\nStrength, resilience and power are attributes that are associated with broad shoulders. But who has them, and in which situations in our everyday are they a prerequisite? In her work Broad Shoulders, Andrea Cindy Raemy explores these questions and investigates possible substitutes. To do this, she listens to music such as Pjluk by Cecile Believe, for example, and draws inspiration from costume design, consumer goods and spectacle. She explores the blurred lines between inner dynamics, internalized beliefs and external expectations. Her aim is to challenge traditional narratives and existing social constructs.<\/p>\n

Moni Jia Rui Scherer: <\/strong>Borderlands | 2024 | Installation<\/p>\n

My work explores the intersections of identity, intimacy, and power. I focus particularly on the realms of queerness and cultural heritage. Through personal narrative and visual storytelling, I examine how cultural norms, institutional practices, and systemic inequalities shape our relationships and our sense of self.<\/p>\n

borderlands<\/em>, a multimedia collaboration with photographer Shannon Tomasik, blurs the lines between artistic practice and personal life, staging and authenticity. We document a romantic relationship unfolding alongside our professional collaboration, challenging traditional notions of art and documentation. <\/p>\n

The auto-fictional narrative Zwischen L\u00f6wenzahn und Hyazinthen further examines the interplay of gender, class, and race in various social and professional settings, demonstrating their impact on our interactions and the complexities of belonging.<\/p>\n

Jasmin Kiranoglu: <\/strong>PORTAKAL | 2024 | Performance | 25 Min<\/p>\n

One room. One body. Oranges. Screams. Cracks. Amniotic fluid. Resolution. Divided. Crushed. Brought together. It flows. Scent. Juice. Stitches. An introspective.<\/p>\n

My work explores empathy, healing, and the fragmentation of the body, sound, and fruit. Using oranges as a symbol and organic material, I examine psychological and physical human vulnerability, as well as their sensuality, materiality, color, and form.<\/p>\n

20. Juni, 20.00<\/strong> \/ 22. Juni, 15.30<\/strong><\/p>\n

Die Voirie wird zu folgenden Zeiten offen sein:<\/u><\/p>\n

20. Juni: Festivaler\u00f6ffnung von 16 Uhr- ca. 21.30 Uhr<\/p>\n

21. Juni: 12-19 Uhr<\/p>\n

22.-23. Juni: 11-20 Uhr<\/p>\n

24.-26. Juni: 12-19 Uhr<\/p>\n

F\u00fcr weitere Informationen besuchen Sie bitte unsere Website https:\/\/2024.cap-diplomfestival.ch\/info<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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